Books: recent past, present, and near future

The good way to do this would be to comment on each book and talk about what it said to me, but that would take an eternity. Besides, I'm still digesting content. Ideas from these will be showing up (have been showing up) in my other writing, I'm sure.

• Four Loves by C.S. Lewis. I got pointed to it yesterday when I was trying to find writing about the Christian theology of the body and desire. Besides, I've been meaning to read this book (and all of Lewis's other stuff) for ages. As befits C.S. Lewis, this book is deeply insightful and surprisingly practical--or perhaps "relevant" would be a better word. At any rate, it is shedding light on the emotional ecology, shall I say, of a number of relational environments. . . I'm about half-way through, having just finished the section on Affection.


• Hopefully I'll make some headway in Holy Trinity this break. I've been hiking through this book for, what, 4 years now? If I had realized it was a seminary textbook when I first picked it up, I don't know if I would have bought it...


• Mudhouse Sabbath by Lauren Winner. I read it New Year's Day, en route from St. Louis to JFK. I really liked this book: meditations on living intentionally, on structuring your life and thoughts around God, on living ritual and tradition.


• Hearing God by Dallas Willard. Finally finished it, two nights ago! I started that book in August and I kept reading it in really small increments because it does take a lot of, hm, chewing. Definitely worthwhile. I intend to go back and reread the section on the "still small voice," to properly absorb. (Does that make me a cow, if I chew the literary cud?)


• Velvet Elvis by Rob Bell. I finished this around Christmas, and I think I'm going to go back to the beginning of that book, too. (Thanks so much, Finney!)


• A Wrinkle in Time and A Swiftly Tilting Planet by Madeleine L'Engle. It had been a long time since I read those books, and I am so glad I reread them. I hate describing things in superlatives, so I'm just going to tell you to READ THEM if you haven't already. (And read the middle book too! I just couldn't find it on my bookshelf!) One of the major themes, painted beautifully, is the interconnectedness of all things, from the stars down to the mitochondria. We all need each other, L'Engle says.

As for what I'm reading next, here are 3 from the top of my mental stack:

• Adger's Core Syntax, because sentences are fascinating!


• Kingdom Without Borders from Urbana, about the church around the world. I'm excited to learn about different cultures and how God works in different places.


• A commentary on Hosea, lent to me by the pastor at church, in preparation for Bible study next semester.

There is a lamentable lack of fiction on this list, despite the glorious exception of Madeleine L'Engle. Any suggestions for novels for me to read?

Lauren Winner on Clothes

From a theological (though also practical) book with a scandalous title:

The power of dressing is also the power of narrative. For our clothes tell stories, and it would be naiive and irresponsible to pretend otherwise. [...] That is why we enjoy clothing so much, of course--because we reinvent ourselves and our narratives when we try out a new look. So the question for the Christian is not an absolute one about skirt length, but rather something about communication. What kind of stories do we want to tell ourselves and others through our choices of clothing?
(Lauren Winner, Real Sex, p. 77)

I've thought before about the fact that clothing is a message, but I'd never phrased it as a narrative, which is a more meaningful notion. Yes, a love letter is a message, and the gospel is a message. But a stop sign is also a message, and the recording on your phone is a message, and the words repeated over and over again by the bored train announcer, "Mind the gap," are a message. A message can be utterly trivial and mundane. A story cannot. A story has to have some person or people who do something: characters, action, conclusion. It can be a bad story, a pointless story, but the minimal story is more complex than the minimal message. The false story that the Tooth Fairy comes still means more than the true message that the toothpaste contains fluoride. If my clothes are a story, not just a message, they matter more than I want to admit they do.

Because, in fact, I don't like to think about what my clothes are saying. One day I want to just put on the first thing in the drawer, whatever fits most comfortably; another day I want to dress up and look good, for no reason. I don't want my clothes to give away stories about me, to tell my secrets. When I'm wearing an old t-shirt and unflattering shorts, I don't want people to decide I don't know how to dress, or think I'm lazy or childish or careless or unaware. When I'm wearing a fitted shirt and an interesting necklace, I don't want people to assume I'm dressing up for someone, or that I'm overly concerned about my appearance, or that I'm looking for attention.

I don't want my clothes to say anything. I just want them to be fabric sliding across my skin, curtains covering me, colors reflecting the light, patterns for my eye to wander across, shadows and shapes.

I don't want to be judged. I want to slip by on the sidelines, fade into the forest. I want eyes to slide across me without sticking. I don't want the whistles, and I don't want the whispers.

But at the same time, I want the acknowledgment and affirmation of the people I love. I want you to see I'm ready to face the world. I want you to see I just want to lie on the grass and climb the trees and absorb the sunlight. I want you to see me as an adult. I want you to see me as beautiful. I want you to see me.

I'm afraid to believe I'm inventing a story of myself every time I dress. I'm not responsible enough, conscientious enough, to decide what identity I ought to convey. I know myself, but I don't know myself in a way I can summarize. I know myself the way I know California: I recognize city-names, I've driven up and down the state, I feel the pull of home when I see the golden hills and the fog-covered sea; but I couldn't draw you a map or tell you the population or the distribution of economic activities or the specifics of the government. I don't have the kind of declarative knowledge it takes to distill a self-portrait, much less transmute it into a style of dress. I don't want people to decide who I am based on the story I make up for them: I want them to watch how I live and figure out who I actually am, because I don't trust my capacity to tell them what they need to know.